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In particular, commonly available words, like “gay”, may be convenient, but that convenience can also result in expressions of feeling that may seem flawed or inadequate or limiting. The language of sex and sexuality can be enabling, in the sense that having words to name what we feel helps us to understand who we are and allows us to share those understandings with others, but this vocabulary can also be limiting, in the sense that the words we have available to us may not be quite adequate for our feelings. One resource we have for articulating our feelings is language.
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She doesn’t have any special access to his attendant feelings, except to make inferences from his thoughts. Notably, what Jean has access to here are Bobby’s thoughts related to his sexuality. I think that the answer is that sexuality is both thought and felt, but that feeling and thinking are distinct, if related, activities. The deeper question here is about the nature of sexuality and the extent to which those kinds of attractions and preferences are thought or felt. As Figa notes in her commentary, even though Jean is shown to be “helpful” to Bobby by pushing him to admit to being gay, and the dialogue ends with hugs and jokes, having one’s mind invaded by another and being told what your own thoughts mean is more disempowering than empowering, no matter how truthful the other person might be in their interpretations of your self. What’s important to note here is that none of these iterations fully negates what Jean concludes about Bobby, but how Bobby may have been thinking what he thought would suggest a more complicated set of possibilities than the simple declaration that Jean makes on Bobby’s behalf. There, are, of course, a number of different ways in which one might make that statement to oneself, and the precise meaning seems dependent on syntax and intonation. When Bobby was talking about Magik was he actually thinking about Scott Summers (Cyclops) or Hank McCoy (Beast), who were also nearby? Was he thinking, “I am going to say something het dudebro-like about Magik now so that no one knows I am gay”? Or was he, in fact, thinking, “I’m gay”?Ī literal reading of the text suggests that yes, in fact, that was what Bobby was thinking when Jean read his mind. Neither writer Bendis nor artist Mahmud Asrar shows what, exactly, Bobby was thinking when Jean read his mind and concludes, or, maybe affirms, that he is gay (the start of the dialogue - “Why do you say things like that?” - clearly implies that Jean has been carrying this knowledge for awhile, although as Alenka Figa notes, this is not context that readers see). Their dialogue concludes with Jean saying, “Bobby … You’re gay.” To which Bobby replies, “What? Why - Why would you say that?” Jean’s response to that question raises a key point regarding how the comic addresses sexuality and sexual identity: “Because I’m psychic.
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This begins a quick exchange of dialogue wherein Bobby fronts and Jean pesters. “Why do you say things like that?” she asks. Jean is prompted to prod Bobby into admitting his gayness following a remark he makes about Magik’s hotness, Magik being female and a woman. In addition to questions about how this episode is written, especially in regards to Jean’s role and Bobby’s own comfort/discomfort with being gay and also the question of bi-sexuality, which appears to be dismissed in writer Brian Michael Bendis’ dialogue, I also think that there are unwritten assumptions about sexuality and sexual identity in this sequence that should be unpacked to better understand the significance and implications not only of Bobby being gay, but also of his coming out. She also links to similar and related discussions at places like The Mary Sue and Panels (see, “ In Plain Sight: On the Authenticity of Queer Characters“, 8 June 2015). While many of these notices essentially amounted to, “hey look, a core member of the X-Men is now gay,” other pieces, primarily at dedicated comics sites, address the politics and ethics of how Bobby is revealed as gay - he’s chided into coming out by Jean Grey - or seek to place this moment into a larger context of media representation of LGBTQ characters and experiences.Īlenka Figa’s commentary at Women Write About Comics is a good example of the more nuanced responses to the storyline. The X-Men are significant enough pop cultural figures that when Bobby Drake, AKA “Iceman”, was written as gay in All-New X-Men #40, media outlets outside of the comics press published news items and commentaries on the moment, including CNN, The Huffington Post and The Advocate.